My mother-in-law asked me last week if I would make a baby blanket for her cousin, who is about 6 months pregnant. My previous attempts to make a blanket have been unsuccessful. I tend to like smaller projects that finish up more quickly, and I also like projects that have a lot of variety. However, I have been wanting to make the Klimtchen blanket (also known as the Babette) for a long time, and I thought that, if someone else would (gently) be holding me accountable, this would be the best time to do it.
Another hurdle that has previously given me pause with a lot of projects is that some require blocking, and I have never had adequate supplies for it. I finally caved and bought a foam blocking mat and some rust-proof pins. I also found this great tutorial on steam blocking acrylic yarn projects. Steam blocking has the benefits of both speed and softening the fabric, and holy crap have I become addicted to the process. It is SO SATISFYING to see the patches go from scrunched up messes to flat, soft, perfect squares.
So far I am having a blast with this blanket. The colors are definitely all over the board, but it’s keeping things interesting for me, and babies like bright colors anyway.
Apollo is a big fan of the blanket so far.
I’ve been fascinated with “Coraline” ever since I saw the movie in theaters in back in 2009. Even though I was 22, it tapped into feelings from my childhood that I think most people experience as children: the assumption that adults don’t understand or listen, and the wish that there was another magical world parallel to our own. Also, a lot of people have difficulty pronouncing my name (even though, like Cor-a-line, it’s REALLY not that difficult). The visual aesthetic also recalled that of another of my all-time favorite movies, “The Nightmare Before Christmas,” which makes sense because both movies were directed by Henry Selick.
Me as “grown up Coraline” for Halloween 2014. I made the dragonfly barrette and green “viewfinder.” It was too hard to find a yellow raincoat, yellow Wellington boots (not pictured are the tan, knock-off Uggs I wore because the color was the closest I could find to yellow) and orange/pink striped shirt.
As I was finishing up my crocheted Coraline doll, a thought occurred to me: if I love the “Coraline” movie so much, and I love Neil Gaiman, how have I not read Coraline the book yet? I bought a copy years ago, but for whatever reason, I never got around to actually reading it. Thanks to the magic of my public library’s audio eBook system and an abundance of boredom while I dog-sat at my boss’s house, I started and finished the (relatively short) audiobook in 3.5 hours. I was absolutely tickled to see that Neil Gaiman himself did the reading of the audiobook. He has the most fabulous voice, which I first discovered when I went to a book signing party for The Ocean at the End of the Lane back in June 2013 and he read an excerpt from the book.
I have decided that I love Coraline the book almost as much as I love the movie, which is rare because I (like most other people) tend to prefer the original source material over the movie renditions. Perhaps it’s because I love the movie’s aesthetic so much, which the book was not as readily capable of conveying. Nevertheless, I love the way that Gaiman creates his children’s stories through the lens of how he saw the world when he was a child, which is slightly twisted and fantastical. Had I not read The Ocean at the End of the Lane first and heard him speak about his autobiographical inspiration, I don’t know if this would have been as immediately apparent. Continue reading
I’ve got a lot of projects going at the moment. The green Dumpling Kitty in the bottom left and center pictures is actually done, but I am working on another version that is orange (by the way, it is available as a free download on Ravelry). The Van Gogh scarf is very much still in progress and will be for a long time. What I’m really excited about right now is my Coraline doll. Obviously, she doesn’t look too much like Coraline at the moment, but after she gets arms, has all of the parts sewn together, and a haircut, I’ll be adding her defining accessories: a pink and blue butterfly barrette, a green triangular viewfinder (attached as a necklace), and perhaps a burgundy satchel.
I said not too long ago that I didn’t have any interest in doing paid commission work… Meet Miss E, my first paid commission (of a crocheted piece, anyway). One of my coworkers saw some of my other dolls, and she asked me to make a doll that looks like her 18 month old daughter in her favorite lamb hat. I’ve been in a bit of a crochet funk lately, and it was nice to have inspiration given to me by someone else’s request.
I think I’ve finally perfected getting the dolls to stand freely: adding custom-cut bristol board “inserts” in the bottoms of the feet so that the soles stay flat. These are in addition to ball bearings and wadded up t-shirt strips as stuffing in the legs, both of which help weigh it down and maintain its center of gravity. I’m still trying to figure out the neck situation, though. I think it might be too thin, as the heads definitely flop around a bit. My first dolls didn’t have any necks, though, so the heads looked like eggs with faces on top of a pair of shoulders. Maybe a thicker neck is the key. And good lord, I have got to figure out an easier way to make mouths with embroidery floss.
Vincent van Gogh, Almond Blossoms. 1890. Oil on canvas. Van Gogh Museum, Amsterdam. Source
This one is going to be a WIP for a while. I am attempting to emulate Vincent van Gogh’s Almond Blossoms painting in a scarf which, for the moment, means that I am making a blue scarf that will eventually have lots of flower appliqués on it. The base scarf is my bus-crochet project, since I don’t have to think much about what I am doing because it is just rows of double crochet stitches. What I’m trying to decide now is how to make the flowers.
When looking at the painting, the flowers appear to be almost white; however, after doing a little research on some of the preservation issues facing many of van Gogh’s paintings for another post I wrote, I thought that maybe the blossoms had originally been pink, but the red pigment has since faded. Being as anal as I am, I had to look up what real almond blossoms look like. As you can see, they are dark pink in the center and pale pink to white in the petals. The center also has a distinct greenish, star-shaped sepal (I think that’s the sepal…) around the pistil and stamens. From what I’ve read, almond blossoms are generally white, though some can be pink.
(Apologies for the excessive use of photo filters on the collage above– apparently I am less perceptive of yellow tones when I am half asleep on the bus in the morning). I found a nice sky blue yarn at Michael’s, and last night, I experimented with four different iterations of crocheted almond blossoms (although the pattern I did a couple of variations on, which is from 100 Flowers to Knit and Crochet by Leslie Stanfield, is supposed to be for a meconopsis flower). I’m thinking of going with 2 or 4 for the blossoms. 4 is slightly more work because it includes a slip stitch layer of light pink yarn on the outer edge of the fuchsia, which I have to admit is a little bit of a deterrent. I mean, I’m probably going to have to make 100 of these if I want to achieve the effect I am currently picturing, and crocheting through a slip stitch is kind of a pain. However, I feel like the fuchsia in 2 is too intense juxtaposed directly next to the white petals. I would love another opinion from anyone reading this post!
Good lord, I love the tweed stitch (also called the seed stitch, moss stitch, linen stitch, or granite stitch). Anyway, this bed might be done. I can’t decide if I want to make a pillow for it or not. Either way, it looks more comfortable than my bed.
I’m considering crocheting a mandala next, largely because I want to perfect my skills (I’ve only crocheted 2 “mandalas” before), but also because it will make a nice rug in a teeny tiny bedroom.
The two things I have been working on this week have led to a bit of pain in the fingers and wrist of my right hand. I put down my projects over the weekend and played copious amounts of Minecraft with my husband, and though my hand felt good again on Monday, it is now sore again. I’ve been reflecting a lot lately on how I am getting older (I am going to be an ancient 30 in July), and I thought that this might be a sign of that. In an effort to find relief, I did what everyone does: I Googled it. It turns out pain from repetitive motion is very common amongst people of all ages, as well as from gripping your hook too tightly or finger position can also contribute to pain. I found some useful articles about warm-up stretches and exercises, how to prevent pain, and treating pain. But I digress. Why have I been in pain for the last week? Because I have been making a hat for a coworker who is moving on to other things after the end of this week. Even though winter is technically over, she hates the cold and snow, and I am hoping that she can get some good use out of a thick cable-crochet hat in future winters. Continue reading
This week’s doll was a request from an old family friend after she saw my most recent crocheted “Little Me” on Facebook. When I asked her to send me a picture of herself that she would like to see in doll form, she said, “You pick one… I would SO cherish your artistic ‘interpretation’ of me.” She’s a very kind, creative, and eccentric woman. She has had several profile pictures on Facebook of her in a Viking-opera singer costume, complete with enormous metal boobs and a horned helmet. When I sent her a picture of the finished doll last night, she was ecstatic. Although this doll was a request from a dear friend and I did not ask to be paid for it, crocheting it made me think a lot about the idea of commission work. Continue reading
In less than a week, I whipped out another doll in my quest to perfect a pattern that is more my own creation than someone else’s. I have to say that I am quite happy with how this one turned out. It’s another self-portrait, but I figure that I might as well experiment on interpretations of myself to learn about what I do and don’t like. I made the head bigger, cinched in the waist more (although I am eager to explore different body types), gave more curvature to the back, and got rose-colored embroidery floss for the lips. It’s also a little better at standing on its own because I added 3 pennies per foot. This is in addition to wadded up strips of t-shirt in the legs, which provides more weight than just poly-fill.
For comparison, here is last week’s doll:
I have spent much of the last week finishing some of my WIPs. Some of these were started a month ago, while others are 8 months old. Continue reading